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Stephan
Fowlkes was born in New York City in 1970. With exposure to the city's
museums and after-school art programs, he quickly developed a passion for art
and creativity that has only ever grown. While at Simon's Rock College,
Stephan's focus turned to performance art and creative literature. This later
led to his Bennington College thesis, "Lost Dreams"; a long-poem on
the Australian Aboriginals and his experiences therewith which earned him the
Academy of American Poets Prize. Fowlkes joint majored in ceramic sculpture
and spent a semester at the Lacoste School of the Arts in France learning to
carve stone. The resulting
peices eventually led to commissions for the Getty Estate in Ramatuelle,
France and for the president of the Bank of Ireland. Fowlkes’ studies also
included photography and printmaking and became a truly well rounded artist. There was, however, something missing.
Durring the five years following graduation, Stephan devoted himself to learning
the craft of painting. He committed his time almost entirely to the
exploration and understanding of the medium. This led ultimately to his
current works on wood which currently fluctuate somewhere between painting
and sculpture.
Stephan has been exhibiting in New York and around New England since the mid-90s. Since then he has also spent much time teaching art at the elementary level around the U.S., was assistant professor of Drawing, Painting and Sculpture at the Lacoste School of the Arts in France in 1999, and has been a guest artist at Williams College, Union College, and Bennington College. He was additionally a guest speaker at the Robert Hull Fleming Museum in Burlington, VT in 2001. 2001-02 was spent as assistant to French sculptor Bernar Venet. In June, he received the Art-Tech Award at the Westmoreland Nationals Juried Exhibition. This past summer he was curator of the 6th Annual North Bennington Outdoor Sculpture Park. Most recently, Stephan was invited as a representative of the arts to participate in the Young Leaders Forum of the National Committee on U.S.-China Relations, which took place in Huangshan and Huangzhou, China. How
would you describe your style? How, if forced, would you define your own work? Who
are your most important artistic influences? |
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